mk86 el Petróleo sin fecha en pone panel Múnich 93.5x72cm, Bayerische Staatsgemaldesammlungen, Alte Pinakothek mk86
undated
Oil on panel
93.5x72cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
mk93 1646 Engrasan en de roble entrepaño 46.5x68.8cm Cassel, Gemaldegalerie Alte Meister Staatliche Kunstsammlungen Kassel mk93
1646
Oil on oak panel
46.5x68.8cm
Cassel,Gemaldegalerie Alte Meister
Staatliche Kunstsammlungen Kassel
James Ensor
LaFamilia Santa The Holy Family
Pintura identificación:: 37433
mk159 C. 1505 Petróleoy la témpera en la lona transferida de pone panel 72.5x57cm mk159
c.1505
Oil and tempera on canvas
transferred from panel
72.5x57cm
Albrecht Durer
LaFamilia Santa The Holy Family
Pintura identificación:: 42252
121,5 x 97 cm Museum of Fine Arts, Budapest Whereas the names and works of Vel?zquez and Murillo were known and appreciated by European connoisseurs at a relatively early date, Zurbar?n was scarcely known outside Spain, and even now there are not very many of his works to be found in European galleries. Born in Fuente de Cantos, a small village in Estremadura, he studied in Seville and most of his work, almost exclusively commissions for monastic orders and churches, was done there. These circumstances determined his themes and the way he treated them: he painted hardly anything but religious subjects, mostly scenes from the lives of the saintly or monastic visionaries. His pictures are generally characterized by a severe structure, vigorous forms, rustic models and a close and detailed observation of nature. During the last years of his life Zurbar?n worked in Madrid where, mainly under the influence of Murillo, his interpretation became softer, his way of expression more lyrical and his colours lighter. The Holy Family (The Rest on the Flight to Egypt), signed and dated 1659, is a remarkable example of this late period: a simple composition of half-length figures with an intimate charm and emotionalism strongly reminiscent of Murillo
GRECO, El
The Holy Family
Pintura identificación:: 62329
1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious
1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious
Hans von Aachen
The Holy Family
Pintura identificación:: 67887
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